Group Analytic Art Therapy

JESSICA KINGSLEY PUBLISHERSISBN: 9781843103011

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By Gerry McNeilly
Imprint:
JESSICA KINGSLEY PUBLISHERS
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Format:
PAPERBACK
Pages:
232

Description

CONTENTSPart One. 1. How I Started: Brief Outline; Historical Review; S. H. Foulkes' Influence. 2. Early Formulations and Developments: Introduction to S. H. Foulkes' Theories; Movement through: Group Art Therapy - Group Art Psychotherapy - Thematic/Non Thematic Art Therapy - Directive and Non Directive Art Therapy - Group Analytic Art Therapy; Early Commentary on the Matrix and Resonance. 3. Early Theoretical and Practical Developments: The Therapeutic Community: Open Art Groups; Community Art Groups; Small Art Therapy Groups; Guiding Principles on Methodology. 4. The Group as a Whole: General Theories; Comparisons and Differences between Foulkes and Bion; Group Analytic Art Therapy Perspective; Group Illustration; Therapist's Technical Approach; Cross-Reference to Primarily Verbal Groups. 5. The Individual in the Group - Transference Constellations: Introduction; Therapist's Role - Transference Constellations: In Art Therapy, Group Illustration, The New Group, New Member Entering Existing Group. 6. Analytic Transitions: Introduction; Early Transitions; The Melting Pot in a Therapeutic Community; Technical Transitions; Individual Art Therapy and Psychotherapy; Art Groups to Analytic Art Groups. Part Two. The Portuguese Papers – New Developments. 7. Introduction; Literature Review; Developments Since 1990. 8. That Which Binds Together Can Also Pull Apart; The Deep End of Group Analytic Art Therapy; Three Dimensional Triangular Theory; Dualities, Polarities and Opposites. 9. Openings: Connections between Resonance, Intuition and Wisdom; Complexity, Subtlety and Simplicity. 10. Cross FertilizationThe Development of an Organic Matter Analogy; The Exploration of Theoretical Components of Structure, Content and Process; A New Theoretical Perspective of 'The Individual in the Group as a Whole'. 11. The Matrix – Pattern – Fullness of Emptiness: A Uniting of Foulkes' 'Matrix' with Cortesão's 'Pattern' with McNeilly's 'Fullness of Emptiness'. Final Note.

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